I wrote a book about a bisexual teenager who struggles with sexual identity but fails to understand that the struggle is taking place. Morgan is my pride and joy, my angsty protagonist journal-keeper who writes diligently about the brush of two hands yet glosses over life's real issues (such as prevalent sexual molestation and an abusive step-dad).
Sometimes the key to understanding a teenager's problems is more about what isn't said than is, no?
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